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In Deed: Certificates of Authenticity in Art

Pierre Bismuth, Daniel Buren, Maria Eichhorn, Urs Fischer, Dan Flavin, Andrea Fraser, Liam Gillick, Hans Haacke, Yves Klein, Joseph Kosuth, Piero Manzoni, Gordon Matta-Clark, Allan Kaprow, Jonathan Monk, Robert Mooris, Yoko Ono, Seth Siegelaub, Raqs Media Collective, Haim Steinbach, Rikrit Tiravanija, Cerith Wyn Evans, Andrea Zittel

Group exhibition

11 September – 9 October 2011
Vleeshal Zusterstraat (Map)

Curators: Susan Hapgood, Cornelia Lauf


Vleeshal presents the exhibition In Deed: Certificates of Authenticity in Art in Vleeshal Zusterstraat. At the opening on September 10 at 5pm there will be a symposium with curators Susan Hapgood and Cornelia Lauf and special guests Seth Siegelaub and Daniel McClean. As part of the exhibition a publication will also be presented.

Certificates of authenticity are a critical aspect of art works today. They often even embody the artwork itself, while referring to it, serving as its deed, legal statement, and fiscal invoice. Certificates by artists validate the authorship and originality of the work and they allow the work of art to be positioned in the marketplace as a branded product-no matter how immaterial or transient that product may be. Whereas the inherent importance of any given work of art should be self-evident to the connoisseur’s eye, certificates point the focus elsewhere, and prove that material or aesthetic qualities in an object sometimes do not suffice in constituting the work of art. In our globalized, capitalist present, the certificate and its implications about artistic thinking have become an instrument of business enterprise, as well as a philosophical statement about the nature of an artwork. Certificates have legal and ontological implications that make them fascinating documents of changing attitudes toward art and the role of artists.

Providing examples of artists’ certificates from the past fifty years, this exhibition will reveal how roles have shifted and developed, as well as how the materials and content of art have changed too. Concise didactic texts will assist the viewer in contextualizing each inclusion in the presentation. Ranging from the most official looking printed documents, with their imprimatur of institutionalization, to dashed-off notations that perform the same definitive function in constituting and defining the parameters of a given art work, this exhibition will interest a broad swath of audiences, ranging from art aficionados to lawyers, students to aesthetes.