Tiny Rectangles was a screening program that presented a selection of moving image works by Holly Antrum, Andrea Büttner, Raisa Kabir and Katie Schwab. The program started off with an introduction by Katie Swab.

Shown in the context of Katie Schwab’s exhibition small wares, the concept for this screening was inspired by a scene from Baylis Glascock’s 1968 documentary We Have No Art. In this film, artist Sister Corita Kent outlines a two-hour observation exercise to her art class. The students are asked to each cut-out a small rectangular hole in a piece of cardboard, and to take this with them to a car dealership on Sunset Boulevard in Los Angeles. With these 'finders' the students are encouraged to look and

Do what a moving picture person does. He cuts off everything else and focuses on one small little place and lets you look at that. Sometimes you can take the whole of the world in and sometimes you need a small piece to take in.
— Corita Kent, 1968

Taking Corita Kent’s assignment as a starting point, Tiny Rectangles explored how four artists drew attention to ‘small pieces’ of the world that are often overlooked: craft-making and religious practises; textile histories and colonial trading; art-making and communal living; personal archives and memory.