Photo(s): Leo van Kampen
Ask the Dust was featured the vast and varied oeuvre of Canadian artists` collective The Royal Art Lodge. Set up in collaboration with The Drawing Center (New York), Plug In ICA (Winnipeg) and The PowerPlant (Toronto), Ask the Dust was De Vleeshal`s first international joint production.
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Photo(s): Leo van Kampen
In order to allow Jeanne to be viewed within the context of Martin Arnold`s earlier work, De Kabinetten van De Vleeshal showed three of Arnold`s highly acclaimed earlier films.
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Photo(s): Leo van Kampen
Martin Arnold made his experimental film Jeanne especially for De Vleeshal. Jeanne is an adaptation of Carl Thomas Dryer’s 1928 film classic The Passion of Joan of Arc, starring Renée Falconetti.
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Photo(s): Leo van Kampen
A presentation of paintings by Johan Kuipers, some of which were painted in Zeeland.
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Photo(s): Leo van Kampen
A project about the aesthetic of safety, organized by De Vleeshal and Guus Beumer in collaboration with the Dutch Institute for Architecture (NAi) and the Premsela foundation for Dutch design.
With contributions by: goodwill, Marjo Kranenborg, Herman Verkerk, Lucas Verweij and Tobias Woldendorp. And lectures by: Aaron Betsky, Dingeman Kuilman, Mark Wigley and Anna Tilroe.
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Photo(s): Leo van Kampen
Late 2002 De Kabinetten van De Vleeshal were populated by small, delicate figurines that were both ethereal and instantly recognizable: Middelburg artist Anne-Marie van Sprang’s work.
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Photo(s): Leo van Kampen
In ‘_We’ll slide down the surface of things…_’ De Vleeshal presented work by three painters who explore the increasing artificiality of reality: Frank Bauer, Glen Rubsamen en Arnout Killian.
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Photo(s): Leo van Kampen
In this series Blokland examines the influence of the context of images on their meaning. Neutrals, in De Kabinetten van De Vleeshal featured (among other things) manipulated images from Blokland’s family album.
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Photo(s): Leo van Kampen
Hendrik-Jan Hunneman created his environmental work Kiss & Go especially for De Vleeshal.
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Photo(s): Leo van Kampen
Craigie Horsfield is best known for his photographic work and his participation in socially engaged projects. More recently, however, he has been involved mainly in collaborative and experimental sound works. De Kabinetten van de Vleeshal staged an exhibition of Horsefield’s portrait photographs.
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Photo(s): Leo van Kampen
Camille Dings, Craigie Horsfield, Reinier Rietveld, Mark Ritsema en Rutger Wolfson
The sound installation Soundwork 4.0 was made specifically for De Vleeshal. An adaptation of Soundwork 4.0 was presented later in 2002 at Documenta XI in Kassel.
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Photographer Roma Pas captures moments in the shadow of the fashion world. Pas’ work was shown concurrently with Higher Truth No. 5, in De Kabinetten van De Vleeshal.
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Photo(s): Leo van Kampen
About the parallel universe of fashion. An exhibition as the ultimate shopping experience.
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Photo(s): Leo van Kampen
A selection of works from De Vleeshal’s own collection. A first showing of new work by Monu Hatoum. The exhibition also included a newly acquired piece by Piet Dieleman and works by Mike Kelley and Marinus Boezem.
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Photo(s): Leo van Kampen
Ana Maria Tavares’ exhibition Numinoso at the Kabinetten van De Vleeshal ran concurrently with her Middelburg Airport Lounge with Parede Niemeyer at De Vleeshal.
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